David J. Finnamore

Bio

&nbps;

So who is this David Finnamore guy, anyway?

In addition to composing, recording, and dabbling in web design, I'm:

  • a recording engineer with over 11 years of professional experience. Recently, I was hired full time to do editing and audio restoration for Ligonier Ministries, host of my long-time favorite radio show, Renewing Your Mind, with R.C. Sproul. My duties also include work on Max McLean's Listen to the Bible radio show, and his new recordings. Prior to that, for most of the past decade my primary client was commercial music company Hummingbird Productions, who did the audio for the first Bud Frogs commercial (so you know whom to blame ;-). In addition to jingles, they score IMAX films. I was the audio engineer on several commercials for which Hummingbird received Addy awards for sound, such as the two shown below. Nashville Addy Awards 2004
  • a commercial music writer with credits including Kellogg's Pop Tarts, McDonald's, and Jeep Cherokee Sport
  • technical consultant and graphics assistant, mostly to my wife, Deborah's marketing and copywriting business.
  • an Sell your item at eBay! enthusiast - buyer, seller, affiliate, the whole ball o' wax. I love ebay.

Recording engineer David Finnamore at work
In my native environment.

At Red SquareMy most fun job recording for someone else came in the fall of 1998 when I was part of a team recording the Russian National Philharmonic Orchestra in Tomck, Siberia. The photo to the right was taken in Red Square.

I always wanted to write and record my own music. Becoming a recording engineer seemed at first like only a step on the path; but I soon found that I enjoyed recording other people's music as much as my own! So I'll probably keep at it, even if my own music eventually makes me enough money by itself. My current project mixes my interests in Celtic and "early" music: Music for Tolkien's Middle-earth

A lot of people ask me if I've worked with any famous artists; the answer is yes, a few:

  • Michelle Tumes, a Christian artist formerly on Sparrow Records; she is a joy to work with and to listen to. Her music has its own sound but is a little like Enya's in that it's characterized by peacefulness, joy, sweetness, and beauty. I had the priveledge of recording and mixing the demos that helped get her the record deal.
  • Paul Overstreet (country) is writing on a special project for which I recorded some demos. I also had the priveledge of working with him at his home studio a number of times. The first time I met him, I thought he had come to mow the grass or something - he's that humble and down-to-earth. One of the nicest guys you could ever meet.
  • Guy Penrod, who sings with the Gaither Vocal Band, has sung on a couple of things I've recorded commercially. He puts out more volume than a Marshall 4X12 guitar amp, and I mean out of his mouth. And you couldn't ask for a nicer guy, NPI.
  • Eric St. Michaels - known better in Europe than the U. S., even though he's an American. A gutsy singer with lots of charm.
  • For commercials and film scores I have also recorded:

Mixing intently with studio guitarist David Cleveland looking over my shoulder
David Finnamore, left. Studio guitarist David Cleveland, right.
 

Info
Basic physical description: White male (in case you've turned off graphics ;-) about 40 years old, married for over 17 years, no kids, 5' 10" and about 180 lbs.

Origin:

The Finnamore family came to New Jersey in the 1700s, chose the Brit side in the American Revolution, and was shipped off to New Brunswick at the end of the war. A few generations later, my great-grandparents moved from Canada to the Twin Cities area of Minnesota and established a family which is there to this day. Seemingly, we're of Irish-via-English (possibly -via-Provencal-via-Roman) descent, though it might be just English.

Considering all my grandparent's lines, I'm seemingly English-Swedish-Irish with generous dashes of Scottish and German stirred in for good measure, plus minor amounts of Dutch, French, and Danish, and bare traces of all other European stock. One of the lines on my mother's side, 14 generations back from me, intersects with European royalty via Count Johann "Crazy John" Wilhelm (1562-1609) of Altena in North-west Germany, and traces back through him to Charlemagne.

The surname Finnamore probably derives from an English place name referring to a land of moors inhabitted by Finns or members of the clan of the legendary Celt named Finn. However, there is also an Italian family with the same spelling. "Finn amore" is Italian (Latin) for "true love," more-or-less. Alternatively, the name may derive from "fin' amors," which, according to early music performer and broadcaster Angela Mariani, "is the Occitan term for 'courtly love,' the idealized notion of love so prevalent in medieval romance and in the songs of the troubadours." Cool. (Occitan was the language spoken in Provence of old.)

See my genealogy site for more info.


Abode:
map

USA -- born in Greenville, South Carolina. Currently residing near Nashville, Tennessee. Have also resided in North Carolina, Mississippi, and Minnesota. Most of my closest relatives live in "MinneSNOWta."

Education:

Bachelor of Music degree from Bob Jones University, class of 1987.

- - - Interests and Hobbies - - -
- [MUSIC] - [TUNING] - [ETYMOLOGY] - [CHAOS] - [MIDDLE-EARTH] - [TINWHISTLES] - [FAV TV] - [GAMES] -

Music:

Tchaikovski score
Tchaikovski score
Tchaikovski score
Tchaikovski score

Nearly all styles, but especially
  • "Ancient" music: medieval, early renaissance, traditional Celtic (no, I mean really traditional - no later than Turlough O'Carolan), chant of various Western religious traditions, reconstructions from hints from ancient Greece, Rome, and Egypt. Anonymous 4 just knocks me out! They are my all-time favorite music group. I rarely miss the public radio show "Harmonia."
  • J. S. Bach - in a class by himself; no one else even comes close. Well, maybe Monteverdi, but that's comparing apples with oranges <g>
  • Brahms, especially his German Requiem and Symphony #1.
  • Classic Rock/Symphonic Rock, especially Brit rock. Ya know, Floyd, Zeppelin, Yes, The Who, etc. But my favorite rock guitarist is Joe Walsh; his feel for phrasing is incomparable, IMHO. David Gilmore runs a close second. Among rock vocalists, my favorites are Robert Plant and Stevie Nicks.
  • Blues -- real blues, not the commercial stuff. My favorites are Junior Kimbrough and Cedell Davis. They just kill me. Raw, unfiltered Mississippi Hill Country blues. It don't git no more better'n 'at.
  • I used to say I liked jazz, but I only said it because I thought I was supposed to like it. 8-)> Actually, I am rather fond of Pat Metheny's stuff, especially the records he made with Lyle Mays, and most especially the album Still Life Talking.

Alternate
Tuning:

7:4
3:2
5:4
1:1


Most of Western Civilization has been stuck on the idea of 12 tone per octave equal temperament for about 100 years now. Guitars are tuned to it, and pianos generally have been since about Debussy's time. Few Western musicians are any longer aware that anything else exists, never mind that it has only been in regular use since the late 19th century, and (as we use it) only in the West until after WWII.

I love to explore tunings of many other kinds. My favorites are often subsets of just intonation, though more recently I've become fascinated with the unlimited possibilities of tunings based on the Golden Mean. If you want to explore tunings further, consider joining the definitive mailing list for it, the Alternate Tuning List at Yahoo Groups, and put on your thinking cap! :-)


Etymology:
kiln [Middle English kilne, from Old English cyln, from Latin culina, kitchen, stove. See pekw-.]**

No, not bugs, that's ENTOmology! My interest is in the history of words, and of English words in particular. I read the dictionary for fun; so sue me! Hey, I wonder what the word "sue" is related to...

Chaos
Theory:

Lorenz Function

I'm a newbie in this field. I find it thoroughly fascinating, even when I don't quite understand all the math. It's fun to generate MIDI files using data output by fractal equations, then use pieces of them to build compositions. Two programs for exploring fractal "music" are Fractal Tune Smithy by my friend Robert Walker of Scotland, and The Well-Tempered Fractal. Fractals are our friends :-) Tolkien seems to have hinted at a connection between chaos theory and some Elvish music.

Tolkien's
Middle-earth:

Tengwar letter

John Ronald Reuel Tolkien: both his literature and his invented languages enthrall me. I sometimes say that I live in Middle-earth half the time. I've learned to use his Elvish letters a little. The big letter in the left column is a Tengwar "L." I have a set of pages devoted to his Middle-earth literature.
  • My list of Tolkien's proverbs. On my fourth reading of The Lord of the Rings I noticed that there were lots of really profound proverb-like sayings scattered throughout the story. So on the fifth reading I catalogued them. I've posted them online for your perusal: Tolkien's Proverbs in The Lord of the Rings.
  • My catalogue of Middle-earth music references. On my sixth reading, I catalogued all references to music. I then continued to catalogue all musical references in The Hobbit and The Silmarillion and have begun the process on The Lost Tales. The data is being entered into a database program so that it can be searched by various sets of characteristics and content. I plan to use the data as a study resource to insure that the music I compose in the future for Middle-earth is as true to JRRT's concept as possible. [Coming someday: a link to a summary of the data.]

  • Whistle
    playing:

    "Irish" whistles, or six hole flutes, are easy to play and lots of fun! The Clarke below will take you to the best whistle site on the web.
    The Original Clarke whistle

    TV shows:
    The X-files

    It used to be that when "The X-files" came on, I turned off the phone: DO NOT DISTURB! Then Mulder left. Oh, well; there's always reruns.

    My favorite current show is Smallville. Latecomer, didn't start watching regularly until season 5. The production values aren't quite as high as the X-files, but the stories are often better. Themes are often related to salvation, self-sacrifice, true love, strong families, and the reality of the supernatural. It makes a presentation of good vs. evil that is clear and real without being corny or unrealistic. This is the Superman story as is should have been (although, perhaps, no one would have listened to it until now).

    I also occasionally enjoy "Star Trek" (TNG & DS9), "The Simpsons," and "King of the Hill," though I'm not as fanatical about them. Well, OK, maybe "The Simpsons."


    Computer
    games:

    DOOM
    Starcraft

    DooM and Starcraft are my current favorites. Even though DooM is old technologically (1993), nothing else scares me like it does, and I LOVE being scared! I still enjoy building my own levels and playing other people's original .wads. Gothic DMII is the best one I've seen so far. I'm not a Quake-hater, but it just doesn't frighten me enough. Return to Castle Wolfenstein ain't too bad, though. DooM3 is very good; but while it is definitely more realistic, succeeds in acheiving the original vision of the game, has a great deal more complexity and depth of detail, and is more terrifying and horrifying, it still does not match the original DooM, in my opinion, in captivating the imagination, in providing the fun kind of fright, or in providing a meaningful modern myth.

    Well, enough about me, let's talk about you for awhile. Oh, wait, no -- that's what this page is for! Sorry. If you'd like to talk about you, though, or anything else, you can .

    ** Excerpted from American Heritage Talking Dictionary, Copyright © 1997 The Learning Company, Inc. All Rights Reserved.

    Back to top

    Thanks to my friend Gary Heddon for taking the photos of me :-)


    Last updated March 2006.
    Lord only knows why anybody'd want to steal anything on this page, but what the heck: Copyright 1998-2006 by David J. Finnamore, except for the DOOM, Starcraft, and Clarke logos, which belong to their respective companies; and the X-files graphic which belongs to Fox. Duh! :-)